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Museum and Art Gallery of the Northern Territory (MAGNT)
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Showing all news in Reviews
McCall Smith can’t resist letting his characters ruminate on some ethical issues.
Newcastle artist Lyndal Campbell dealt with her fast-approaching exhibition deadline by moving into the gallery.
Sam Wang’s solo show is a hilarious and nostalgic thrill ride through time and pop culture.
An all-too-realistic thriller with a protagonist who, while not likeable, is attractive and compelling.
Great songs, inspired performances and a good digital brush-up make this essential for fans, but is it a doco? asks Adrian Martin.
Mel Campbell enjoys this female-led teen comedy but questions its laissez-faire moral politics.
This is one of the best murder thrillers to hit the bookshops in a long time.
If you’re not a fan of watching two people bickering in a car, you may want to overtake this ABC comedy, says Anthony Morris.
A picturesque, experimental production that doesn’t shy away from Lewis Carroll’s darker side.
Dead Right shows us that economics is not a force of nature but something voters and politicians are directly in control of.
This exhibition demonstrates the importance of experimental art spaces supporting solid and sustained local practice in the shadow of the majors - unfinished business always in need of greater addressing.
A remarkable book that combines memoir, essays and philosophy.
Enda Walsh’s musical is a classic boy-meets-girl romance with terrific singing and great chemistry.
A feel-good performance bringing together Digi Youth Arts, Queensland Choir, Deep Blue Orchestra and didgeribone player Tjupurru.
TheatreiNQ’s cheerful, vibrant and original adaptation of Carroll classic.
A timely exploration of a particular kind of maleness that entertains even as its protagonist hurtles towards the abyss.
Dutch dance artist Frank van de Ven is joined by Tasmanian performers and musicians in an intriguing collaboration.
A sex-positive and playful cabaret about life as a bisexual woman.
Indigenous playwright Meyne Wyatt’s debut hits the mark.
Despite some frustrating directorial choices, this gay WWII-era musical romance moves and fascinates.
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