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Showing all news in Features
Moving properties from public hands to private developers radically shifts who has access to these spaces and the culture they help create.
Given the current state of arts funding, Artistic Director Luke Kerridge is taking hope from the turbulent birth of Barking Gecko Theatre in 1989.
Ahead of the NFSA's Digital Directions conference, screenhub talks to Jon-Paul Dyson of The Strong National Museum of Play.
New Zealand's progressive PM has much to teach other world leaders in her championing of the arts and compassionate government. As she looks to an election next year, we look at how her leadership has shaped the arts.
Festivals play a vital role in commissioning and co-commissioning work from small to medium companies and independents. Without them, the arts ecology would suffer.
On the cusp of its second iteration, we look at how this art event is busting open 'outpost syndrome' by commissioning international artists to focus on local histories.
How do we create intimacy in an audio story that is plausible, genuine and keeps the listener engaged? We speak with two producers about their podcasts.
Things get nostalgic at the box office this week, in more ways than one.
Like protest or activist art, placards convey a political message to large audiences at protests and relayed through media to the world. But are they art?
Our top picks and hot goss on what's new to Netflix, Disney+, Stan, Foxtel in November.
The supported studio model is one way of tackling some of the barriers artists with disabilities face in pursuing their goals.
As he leaves his role as AD of Queensland Theatre, Strong reflects on his triumphs and regrets after four years of leading from Qu
Community arts spaces provide so much to so many, but what does it take to make them work?
Speaking out about sexual harassment and assault in the arts sector can be frightening. Here, three women describe the personal and professional impact of calling it out.
The Parramatta Female Factory Precinct is a site conflicted by trauma, but is now being turned into a cultural venue for social agency to empower women.
Bad guys are up on top this week in the Aussie box office, but limited release tells a different story.
Untitled Goose Game is a runaway hit – but it could never have gotten off the ground without proper funding, writes Luke Brook.
It's the perennial question: how do you stay motivated in a job that you love after years? This classic article has tips from industry leaders.
What a 60,000 year old concept on kinship is teaching contemporary art.
Two new screen productions – Ramy and Slam – tell stories embracing the complexity of young Arab and Muslim men in the US and Australia.
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