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Instead of making works parochial, specificity makes them unique.
With 20 fingers, 15 composers, and 15 artworks, ZOFOMOMA is a creative and jubilant spectacle.
An engaging, funny and charming graphic novel for children that provides education and entertainment in equal measure.
There’s plenty to get your teeth into in this ambitious and confronting work from Joel Bray.
As a film critic for The Australian, Evan Williams spoke to the tastes of a generation. But there was much more to his life in both politics and government.
Rebranding is more than switching logos. It should be a total recalibration of how your audiences engage with your collections.
The funding of arts and culture in this country reflects a political climate that does not take culture, or arts practice, seriously.
OK Democracy unpacks political interference and the ideas of freedom, fake news and political hype on the election eve.
The Gold Coast artist was farewelled by a tight-knit creative community just days before his retrospective opened at HOTA, leaving a legacy of work that captures the soul of coastal culture.
The Sydney Film Festival will flourish because of its value amongst the behemoths, say Peter and Sharon Ivany who are major donors.
STC Patrick White Playwrights Fellow, Australia Council grants, CircuitWest's Pinnacle Presenters Awards, plus more announced this week.
Q44’s production is an intelligent, witty account of sabotage and arrogance in the professional arena.
Cracked is a powerful and thought-provoking look inside our criminal justice system from an exciting new voice.
A thought-provoking exhibition that reveals further depths through on-site activations.
A dense exhibition that provides a broad view of the iconic Marcel Duchamp as he persistently reinvented himself across his 40-year career.
Michelle Rowland, shadow minister for communications, has a plan to blow up the logjam of media and funding policy which has driven the sector spare for the last six years.
Top End Wedding still doing okay quietly munching in the audience grass. But it is not an obvious show pony.
Excellent dancing brings credit to this massive collaborative production of the 1877 ballet.
Craft Victoria, the Victorian Opera, ABC and Salamanca Arts Centre all appoint new executive positions, among other jobs filled this week.
At its best, this triple bill celebrating Sydney Dance Company’s 50th anniversary is bold, inventive, joyous and memorable.
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