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Showing all Screen Education news
Most producing handbooks are cures for insomnia. This one is lively, local and clear as it shares key information between generations.
The AFTRS CEO Neil Peplow will leave in the middle of 2019 to return to London.
Powerhouse calls for Architect, residencies with Animal Logic and The Wheeler Centre, more money for regional arts announced, and more art news.
Whether you're looking for professional development, tapping sector trends or seeking to rub shoulders with cultural entrepreneurs, ArtsHub's 2019 Conference Planner maps out what's on offer.
The venerable drama course at Flinders University is being restructured to remove its research side to practical courses. Educators are not amused.
Bridget Ikin is a remarkable producer and we hope she inspires younger people in an industry caught between art and money.
Change can be irresistible but it is never inevitable, unless it can be anchored by institutions. Hence the Screen Diversity and Inclusion Network.
Screen Forever adds a strand to the program about creative duos which focuses (gasp!) on the human stuff behind the puff.
Screen composer and Guild President Caitlin Yeo and filmmaker Robert Connelly honour the mysteries of their linked emotional journeys.
Sydney has the 2018 Screen Music Awards, leaving Melbourne composers on the plan like the rest of their national colleagues. Who is in contention?
Sean Lander is respected, experienced etc. Brother's Nest was a unique production bred out of the Jacobsons collective mind. See the collision! Smile and maybe wince.
Here are the AFI/AACTA categories which nurture young filmmakers, sustain extreme doco makers and honour the most popular films in our region.
Sooner or later creative parents emerge from the new baby haze to think about small business. Find out what happens then.
Producers are 'in charge of the resources', in Andrena Finlay's neat but bland phrase. What does that really mean?
As conferences quit for lack of funds Adelaide's Media Resource Centre fights back with the power of poverty.
After a trough we find Australian films that deserve an audience, though that message has not leaked through for The Merger.
Here's a great collection of interview clips with great directors, from Gillian Armstrong to Ridley Scott. It's a beautiful career.
Supported by Australians in Film, four mentorships offer the chance to connect closely to Hollywood and fit the experience in with a working life.
What do we mean by Australian stories? Queensland producer and comic creative Daley Pearson provides a beaut answer from Coolum Beach.
Tony Ayres has walked away from Matchbox Pictures to become a global player. Here's why.
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