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The stereotype of the unemployed arts graduate has turned out to be rather inaccurate, according to new research.
Delia Nicholls, Research Curator at MONA tells us how the gallery's own Koen Bros undertook a career in excrement.
Director of NAVA, Tamara Winikoff asks, When Is It OK To Do What? One of the most interesting parts of what they do, she says is trying to deal with the ethical dilemmas that arise in the arts.
At every stage of the job seeking process you need to do your research. And it starts even before a job opportunity becomes available.
Tamara Winikoff from NAVA looks at some of the options available to arts graduates as they consider what they're going to do after art school.
The Western Australian New Music Archive has been giving the green light after it received new funding through the Australian Research Council.
The Whyalla Art Prize has revealed the shortlist for its 2011 Art Prize, worth $25,000.
Call us a bunch ‘o feminists over here at Artshub but we love this year’s laneway lineup for one lovingly crafted reason - its focus on incendiary womenfolk in the music industry.
Tamara Winikoff, Executive Director of NAVA reflects on her own experiences of the 5th World Summit on Arts and Culture held in Melbourne last week.
Tom Gleeson is Up Himself: “I’m sick of pretending to be humble, so many Australians want to be perceived as being a ‘good bloke’. Or down-to-earth. I’m not down to earth, I’m full of myself."
The six recipients of the Australian Prime Ministers Centre Fellowships were announced this week.
In her latest column for ArtsHub, Tamara Winikoff, Executive Director of NAVA asks, What is the ABC thinking?
A lack of planning and tracking, market research and financial literacy are some of the big business missteps many arts organisations make.
Tamara Winikoff Director of NAVA talks about ‘We are Here’ a festival and conference of artist run initiatives, emerging arts trends, practices and concepts this September.
With $25,000 up for grabs, the City of Whyalla Art Prize is an opportunity for burgeoning contemporary artists to showcase their
How can artists develop positive working relationships with the media?
NAVA: Tamara Winikoff peeks over both sides of the grants application fence.
TWITTERVERSE: It’s hard to believe this social media phenomenon only started in July 2006. It's become so important so quickly, yet we don’t even know how many people are really using it.
AUSTRALIA COUNCIL: The OzCo has launched new research in response to arts audiences' growing use of the web to shape and inspire their arts experience.
VISUAL ARTS: Most of us in the arts sector are pathetically pleased to be consulted for our opinion, particularly on policy and legislative matters.
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