Making judgments: the artist and the lawyer

The Supreme Court Library, Queensland, is pairing contemporary artists with legal mentors to explore notions of judgment under the law.
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Detail of Michael Cook, ‘Majority Rule (Senate)’ #2014-0151; supplied

Australia has seen several recent cases where an artist has faced the prickly side of the law.

Most famous in recent years was Bill Henson’s photograph of a young girl seized from the Sydney gallery Roslyn Oxley9 in 2008. Polixeni Papapetrou faced a legal battle over a photograph of her daughter on the cover of Art Month Australia magazine (2003), while Melbourne artist Paul Yore’s installation at Linden Centre for Contemporary Art (2013), was deemed too explicit, and placed him in front of the courts. 

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina