You must treat female artists with respect Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Get the edge on cultural leadership Getting Cultural Leadership right is one of the most pressing global trends in the arts today. It’s also the theme for the next Communicating the Arts conference, presented in Sydney this November. How embracing seasons can improve your work and self-care Working in the arts comes with facing various ebbs and flows. Here’s how embracing the various seasons can diminish stress and be beneficial for your team, project or independent practice. On the move: the latest appointments and resignations New staff for PICA, a new Director for Bendigo Art Gallery, Melbourne Recital Centre's new Chair announced, and more. So you want my arts job: General Manager With over 25 years experience in the sector, why does Theatre Works' Dianne Toulson think the title 'General Manager' is outdated in the arts? (Premium content) Premium content Stephanie Eslake Friday 16 March, 2018 An open letter to the classical and orchestral sectors about the mistreatment of female artists. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Photo by Zach Doty on Unsplash Member login Email address Password Forgot password? About the author Stephanie Eslake is a Hobart journalist who writes arts criticism for national publications, one of which is Limelight Magazine. In 2017, she was named Hobart’s Young Citizen of the Year, and won the inaugural Kill Your Darlings New Critic Award. In 2018, she won the Tasmanian Young Achiever of the Year Award (Arts). The former writer for the Mercury’s long-defunct Saturday Magazine and Style arts section now works in higher education as a tutor and course writer. She also volunteers her time to run Australia’s classical music publication CutCommon as its founding editor. CutCommon was named one of the top 10 classical music projects in the world when it was shortlisted for the Classical:NEXT 2017 Innovation Award.