Scoring a role: how do you compose music for games? Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Animals director Sophie Hyde on character, rehearsal and bestie power What happened when Sophie Hyde and Closer Productions ended up shooting a co-pro in Dublin? And why did the writer have so much fun? Small Screen Highlights: Glitch, Gogglebox and Glassblowing (locked) Paranormal ABC thrills, voyeuristic couch-critics, hot craft competition and a very useful podcast from Screen Australia. Crack Hollywood before you leave home - here's one approach (locked) Writers trying to open a door to Hollywood are offered support systems in many different shapes and sizes. Here's one which comes with a clear rationale. Opening the Floodgates? Screen Australia's new story development guidelines, one year on (locked) Screen Australia's Head of Development Nerida Moore says the Generate Fund's first year has been a roaring success. (Premium content) Premium content Jini Maxwell Thursday 29 August, 2019 Videogames offer many opportunities for audio experts, but how do you crack into this evolving industry? Here are our 6 key steps to get you started. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today High Score 2019: Sound Art and Composition is the first event of Melbourne International Games Week. Member login Email address Password Forgot password? About the author Jini Maxwell is a writer, poet and editor based in Narrm. They edit quarterly literary journal The Lifted Brow, and previously directed National Young Writers Festival. Both their poetry and prose engage with play, creative labour, and queerness. They have contributed critical writing to Screen Education, The Saturday Paper, ACCA online, Melbourne Knowledge Week's Stories platform, The Lifted Brow, and Melbourne Recital Centre's soundescapes. Their poetry has recently been published in Cordite Poetry Review, SCUM MAG, and Overland Journal. In 2018, they were one of three Emerging Critics in Residence at the Melbourne Recital Centre.