Sharon Willdin

Sharon Willdin is an innovative award-winning writer, director and producer. Her narratives have been published internationally in the Weekend Australian, Hemingway Shorts, Brooklyn Review, Antithesis Journal, Spineless Wonders, Chicago Literati, Caustic Frolic, Dead Mule, Open Thought Vortex, Chaleur Magazine, Esthetic Apostle, Pure Slush, Dark Ink and more. Visit www.linkedin.com/in/sharon-willdin-06a7b4140 for details.

Sharon Willdin's Latest Articles

Large cast scene in La La Bohème.
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La Bohème review: now relocated to 1930s Berlin at the Sydney Opera House

La Bohème is an operatic classic that still charms, but shows its age.

Three women manipulating two bird puppets in a production of Lost and Finding.
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Lost and Finding review: raw energy at Flight Path Theatre

Lost and Finding is a fantastical comedy with a sense of adventure (and puppets).

Grief is the Thing with Feathers. Image: Brett Boardman/ Belvoir Street Theatre.
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Grief is the Thing with Feathers review: Belvoir St Theatre struggles

Belvoir St Theatre's adaptation of Grief is the Thing with Feathers has the potential to reach excellence, but ...

Two men in Shakespearean costume. One has his sword up against the other's throat. Henry 6.
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Henry 6 – Part 3 review: a pared back Sydney Shakespeare Company production

See one or all three of Sydney Shakepeare Company's Henry 6 trilogy.

The cast of "Annie" standing against a bright, blazing backdrop. Annie.
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Annie review: an orphan captures hearts on Australian stages

Annie is a well-orchestrated cohesive theatre production, whose songs are as catchy as ever.

A woman sitting on a chair and a man standing behind her. They are both badly dressed in dirty rags an with wild, unkempt hair. The Twits. Roald Dahl.
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Theatre review: The Twits, Sydney Opera House

A theatrical adaptation of Roald Dahl classic children’s novel.

Two people, each are dressed in pink and green, and divided into two sections with their respective colours in the background. BullyBully.
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Performance review: BullyBully, Sydney Opera House

An imaginative fun performance for the young and young at heart.

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Performance review: Elements of Freestyle, Joan Sutherland Theatre, Sydney Opera House

A fusion of urban arts and classical music with multigenerational appeal.

A glamorous woman in a pink silky gown sits in front of a mirror putting her earrings in. Aphrodite.
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Opera review: Aphrodite, Carriageworks

A collaboration between the Sydney Chamber Opera and Omega Ensemble that favours cerebral engagement over emotional impact.

A large cast dressed as cats dancing on stage.
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Musical review: Cats, Theatre Royal Sydney

Anniversary production of an imaginary feline world.

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