Sharon Willdin

Sharon Willdin is an innovative award-winning writer, director and producer. Her narratives have been published internationally in the Weekend Australian, Hemingway Shorts, Brooklyn Review, Antithesis Journal, Spineless Wonders, Chicago Literati, Caustic Frolic, Dead Mule, Open Thought Vortex, Chaleur Magazine, Esthetic Apostle, Pure Slush, Dark Ink and more. Visit www.linkedin.com/in/sharon-willdin-06a7b4140 for details.

Sharon Willdin's Latest Articles

A woman with dark hair with her arms outstretched. She's wearing an elaborate burnt orange costume.
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Performance review: Psychopomp, Taylor Square Substation, Pride Fest

An existential foxtrot with life and death.

A exhibition display showing landscape photos an an angle on the left hand side and black photos of an army of soldiers on the back of the truck in the centre frame.
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Exhibition: World Press Photo Exhibition, State Library of NSW 

The international photography exhibition returns to Sydney.

Dancers in black costume. The stage and lighting are also black.
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Performance review: Illume, Sydney Opera House

Bangarra Dance Theatre's evocative experiment connecting sound, dance and light.

The company of 'Women on the Verge of a Nervous Breakdown' at The Hayes Theatre.
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Musical review: Women on the Verge of a Nervous Breakdown, The Hayes Theatre

A melodramatic musical farce set in Madrid in the late 1980s.

Six people dressed in varying costumes of white are huddle together on stage. In the background the words 'De-Kolo-nize' are spelt out diagonally.
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Performance review: UPU, Sydney Opera House

A poetic expression of the Pacific, its people and their stories.

On a green and pink Edwardian stage set a young man in a brown suit and a young woman. in a pale green dress and large brimmed hat look off to the right. Lord Arthur Savile's Crime.
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Theatre review: Lord Arthur Savile's Crime, Genesian Theatre

A quaint farce satirising murder, nobility and marriage.

Seven men in formal dress in a dining room.
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Theatre review: Posh, Old Fitz Theatre

A club for young men, bonded by privilege, shame and vulnerability.

Three young men and a two young women are gathered around a meal on a small table. All of them, aside from the woman on the right, are dressed in casual clothes. She's dressed more primly and conservatively. Dear Elena Sergeevna
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Theatre review: Dear Elena Sergeevna, Old Fitz Theatre

A theatrical experiment examining moral actions and clashes of ideology.

The cast of "Annie" standing against a bright, blazing backdrop.
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Musical review: Annie, Capitol Theatre

A well-orchestrated cohesive production.

A young man and two young women wearing casual clothes.
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Theatre review: Love, Old Fitz Theatre

An intense fusion between location and production.

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