Richard Watts

Richard Watts OAM is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize in 2020. In 2021 he received a Lifetime Achievement Award from the Green Room Awards Association. Most recently, Richard received a Medal of the Order of Australia (OAM) in June 2024. Follow him on Twitter: @richardthewatts

Richard Watts's Latest Articles

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The Laramie Project

Mockingbird Theatre makes a memorable debut with this deeply affecting production about the 1998 murder of Matthew Shepard.

Features

How to survive festival fatigue

Festivals are the extreme sport of the arts - intense but exhausting. Some of Australia’s most experienced consumers of culture…

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An Act of Now

Anouk van Dijk’s first work as Chunky Move’s new Artistic Director is a compelling and visceral exploration of social interaction.

Features

How do your finances affect your arts practice?

We’re all familiar with the myth of the starving artist, but would you make art differently if you had more…

Features

How to work the room

You see them at parties and opening nights, those well-connected people who seem to be able to speak with everyone…

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Valtari

EMI: The sixth studio album from Icelandic post-rock band Sigur Rós is the group’s most introspective and ambient release to…

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The Stream / The Boat / The Shore / The Bridge

NEXT WAVE: A thoughtful, playful, evocative and transformative live art experience centred around and upon Melbourne’s Yarra River.

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Justin Hamilton: The Goodbye Guy

MICF: Stand-up comedians are rarely more meta, or better, than Justin Hamilton, who farewells his festival career to date with…

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The Importance of Being Earnest

MTC: Wildean wit and wordplay coupled with Geoffrey Rush’s superb turn as Lady Bracknell ensure Simon Phillips’ last production for…

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Return to Earth

MTC: A story of returning, reconnecting and belonging, Lally Katz’s hybrid of melodrama and magic realism never quite finds its…

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