Richard Watts
Richard's Latest Articles
Piano profits music for charities' ears
Trucking magnate Lindsay Fox's share of profits from The Exclusive Piano Group, the national distributor for Steinway & Sons, will…
Creating and critiquing children’s theatre
Other than an awareness of the audience’s age, is there any difference in how theatre-makers and theatre critics approach work…
Australian opera – a dying art?
Diminution, diversification, hybridity and new audiences are essential if opera is to thrive in the 21st century.
Adelaide Fringe: how big is too big?
A record number of events will be presented at the 2015 Fringe, but Director Greg Clarke has no fears the…
Art without borders
From dance to live art, the challenges of international collaboration can result in inventive and unexpected outcomes.
Taking the pulse of Australian puppetry
Puppetry has featured prominently in recent mainstage productions including Storm Boy and King Kong, but how healthy is the sector…
Transitions: making the move from director to Artistic Director
Running a major company is the goal of many a freelance director, but how do you get there from here?
How beneficial are play readings?
Playwrights sometimes need to be coaxed away from their desks and reminded that theatre-making is a collaborative art form.
Fresh takes on old dramas address gendered violence
The issue of male violence against women is being powerfully addressed by theatre companies in Melbourne and Adelaide.
Blood, sweat and fears: establishing an independent theatre company
Plans, personnel, the right project – a number of ingredients are required when setting up a new theatre company.