Peter Hackney

Peter Hackney is an Australian-Montenegrin writer and editor who lives on Dharug and Gundungurra land in Western Sydney - home to one of Australia’s most diverse and dynamic arts scenes. He has a penchant for Australian theatre but is a lover of the arts in all its forms. A keen ‘Indonesianist’, Peter is a frequent traveller to our northern neighbour and an advanced student of Bahasa Indonesia. Muck Rack: https://muckrack.com/peterhackney https://x.com/phackneywriter

Peter Hackney's Latest Articles

Nic Prior in Belvoir's 2025 production, 'Orlando'. An androgynous figure wearing a punk-inspired blonde wig with a short, spiky fringe and long hair at the back, sits with their hands in their lap against a mirrored background. They are also wearing a pleated grey skirt and skin-hugging white and yellow top.
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Orlando review: a dazzling journey traversing time, place and identity at Belvoir

Trans and non-binary actors take centre stage in this highly theatrical adaptation of Virginia Woolf’s gender-bending classic, 'Orlando: A Biography'.

A man, Ian Stenlake, sitting in a chair near a shuttered blind in The 39 Steps.
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The 39 Steps review: Hitchcock gets the slapstick treatment

Hitchcock spy thriller meets Monty Python-style humour in The 39 Steps, a rollicking action-comedy. 

A classroom scene in Trophy Boys, with three students. One is standing on a table.
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Trophy Boys review: boys will be boys on tour

Runaway hit play Trophy Boys returns to excoriate a world of privilege and male collusion.

A woman is looking at a man through a veiled frame in Three Plays.
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Three Plays review: Tennessee Williams in snack form by Ground Floor Theatre

Three rarely seen one-act plays by Tennessee Williams are given the omnibus treatment on the Old Fitz stage in Three…

Three women dressed in beige colours in the production of Othello.
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Othello review: a modern, accessible approach to a great Shakespearean tragedy

The new production of Othello at Sydney’s Flight Path Theatre is fresh, original and expertly staged.

A crowd scene in Rusalka.
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Rusalka review: a near-perfect staging of Dvořák's most famous opera

Opera Australia’s new production of Rusalka is opera at its enchanting best.

A man is sitting on a chair and a woman is standing beside him. The view of Sydney Opera House can be seen behind them.
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Emerald City review: David Williamson's classic restaged at Ensemble Theatre, Sydney

Greed, real estate, the importance of art, Sydney vs Melbourne – ‘Emerald City’ is as relevant as ever.

A middle aged, fair skinned women sits with legs crossed and hands raised in a rehearsal room. This is actor Rebecca Gibney in a scene from Sydney Theatre Company’s 'Circle Mirror Transformation', 2025.
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Circle Mirror Transformation review: another safe bet from the Sydney Theatre Company

STC presents a competent but uninspired staging of US playwright Annie Baker’s award-winning play, Circle Mirror Transformation.

Colourful cast scene, with a crowd looking on at two women and a man dancing in the middle. Carmen.
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Carmen review: a new look for a classic opera at Sydney Opera House

One of the most famous operas of the 19th century gets a 21st century makeover. 

A black woman and a black man are laughing. She's wearing a white hat and a yellow suit, he's wearing a grey suit with a red tie.
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Theatre review: Primary Trust, Ensemble Theatre

In a world of chaos and war, this good-natured play about kindness is a wonderful tonic.

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