Jenna Schroder

Jenna Schroder is a performance critic, independent performer and producer and one half of ‘No Drama Drama Club’; a new initiative encouraging Naarm audiences to engage in critical discourse about live performance.

Jenna Schroder's Latest Articles

A young man and woman are sitting next to each other in Destiny.
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Destiny review: an MTC production that explores South Africa under Apartheid

Destiny, by promising playwright Kirsty Marillier showcases life under South African Apartheid but misses opportunities to deliver an emotional, philosophical…

A man with holding a phone in his ear in the dark in Dial M for Murder.
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Dial M for Murder review: dial NQ for not quite

A new adaptation of Frederick Nott's 1952 play Dial M for Murder at Melbourne's Theatre Works feels like a missed…

Rumbleskin. Image: Kimberley Summer.
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Rumbleskin review: Australian stage show meets American gothic

Writer Ames May Nunn and director Alonso Pineda have crafted a modern allegory in Rumbleskin, at fortyfivedownstairs.

Two men in suits, one lighting a cigarette for the other. Smokescreen
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Smokescreen review: smoke and mirrors theatre show in Melbourne

Smokescreen shows how tactics developed by the tobacco industry were used by the fossil fuel industry to delay action on…

A fair-skinned woman, wearing black shorts and a black waistcoat, stands in a constricting shroud of paper (perhaps representing paperwork) on a bare, industrial-looking stage. This is Andi Snelling in her solo show 'Happy-Go-Wrong' at fortyfivedownstairs.
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Theatre review: Happy-Go-Wrong, fortyfivedownstairs

This exploration of chronic illness fuelled existential angst doesn’t make the leap from fringe festival circuit to the fortyfivedownstairs stage.

A young woman and man are sitting on a patch of fake grass. Love and Information.
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Theatre review: Love and Information, Theatre Works

Information overload abounds with no love to be found in Theatre Works’ new production.

Large stage scene of 'Samson & Delilah'. In the centre are figures wearing gold costumes. They are surrounded by cast in black.
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Opera review: Samson & Delilah, Palais Theatre

Engaging musical performance meets middling narrative delivery in this traditional interpretation of an ancient story.

Two women in white Regency-style dresses. A promotional image for the production 'Austen in Therapy'.
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Theatre review: Austen in Therapy, Abbotsford Convent

Jane Austen lovers will find this enjoyable if they can look past the lacklustre production.

Two young women and three young men are dancing outside a house.
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Theatre review: The Comeuppance, Red Stitch Actors' Theatre

A kitchen sink drama that’s uplifted by exceptional performances .

The Australian Ballet's 'Carmen', 2025, choreographed by Johan Inger, featuring Jill Ogai in the role of Carmen. A dark-haired woman in a red, ruffled dress, her legs bare, gestures dramatically and powerfully towards the camer. Three man are faintly visible in the gloom behind her. All four people are ballet dancers performing in the ballet 'Carmen'.
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Ballet review: Carmen, Regent Theatre

A fresh interpretation of a centuries old story that sizzles and provokes on stage.

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