Gina Fairley

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina

Gina Fairley's Latest Articles

Features

Turning your digital data into dollars

Move over crowdfunding. Emma Dunch tells us how to utilise our digital engagement to drive fundraising.

News

Dealer Denis Savill to close up shop

Sotheby’s Australia will auction the Private and Public Collection of Denis Savill with his retirement this year.

News

Curators are important visionaries

An exhibition tracing the career of William Wright shows the value in being a curious disbeliever.

News

Sad news too soon: Kerrie Lester

After a prolonged illness, it was announced today that the vivacious painter Kerrie Lester ended her battle with cancer at…

Features

Brand versus The Business Model

Time-poor arts administrators get a little help on how to prioritise brand and business models for success.

Features

The Boys Club: gender imbalance in theatre

Gender parity remains sketchy territory for Australian theatre, even while the numbers of women in leadership roles has increased overall.

Features

Why we need adaptive resilience

Innovation, change, sustainability – they are words that plague our art landscape today and unless we adapt, we are doomed.

Features

How many no's are there in a yes?

Festival director Jonathan Holloway gives advice on how to conquer the no, and turn it into a yes when asking…

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Turandot: Handa Opera on Sydney Harbour

A fire breathing dragon, fireworks, projections, craned-in singers and dancers as human streamers – Turandot amps up the spectacle

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Hard Edge: Abstract Sculpture 1960s-70s

Weighty, but not weight enough as Australian sculptural history is relegated to "foyer art" at the NGV, distilling the consideration…

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