Gina Fairley

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

Gina Fairley's Latest Articles

Features

Jewellery as art

Body adornment is hardly a new preoccupation, but has jewellery pushed beyond the craft label and entered our art galleries…

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Review: Waqt al-tagheer: Time of change

An erudite exhibition takes a look at the work of contemporary Australian Muslim artists.

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Review: Adelaide Biennial stumbles on curatorial tensions

How divided is our world? ArtsHub takes a look at the Adelaide Biennial of Australian Art and asks whether the…

News

Is the art of feminism unfinished business?

A big question deserves a big response. Following International Women’s Day, we look at the conversation of gender equality today.

News

Vale Matthew Harding

With public artworks across most major Australian cities, Matthew Harding’s legacy will bring joy to generations to come.

Features

Curating for impact – the gift of the small show

Why say something with 40 objects when you can say it with four? The Gift is an exhibition that offers…

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Be part of the Biennale of Sydney at the MCA

Discover more about the 21st Biennale of Sydney's public programs at the MCA, as Superposition becomes an opportunity for super…

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Mami Kataoka’s highlights for the 21st Biennale of Sydney

The 21st Biennale of Sydney is not about hierarchies of artists and venues, rather it is about harmony in the…

Features

Sculptureum is a new take on the sculpture park

ArtsHub visited New Zealand’s newest sculpture park, Sculptureum, which combines popular festival bravado with a passion for collecting.

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Review: The Nose by Opera Australia

Does absurdity make for the best opera? If we are talking audience reaction to The Nose then hands down, yes!

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