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Who gets to survive the apocalypse? How to Eat Rabbit offers something fresh to chew on
It’s the end of the world and no one feels fine in this dystopian drama, playing as part of Melbourne's…
No One Gets Out of Here Alive dances with death: ‘We want it to go beyond words’
Playing Brisbane Festival and then Bleach Festival, No One Gets Out of Here Alive is a dance-theatre work about an…
Margaret Preston retrospective offers a rethink for our times
Twenty years after Margaret Preston’s last retrospective, the NGV in Melbourne presents a compelling look at a complicated modernist and…
Vale Rachel Burke, visionary lighting designer who illuminated Australian theatre
Rachel Burke's life and work will be celebrated at a memorial gathering in Melbourne on 15 September.
As gallery costs shoot up, these curators are finding inventive exhibition platforms
ArtsHub speaks to artists and curators expanding exhibition opportunities for independent artists as conventional gallery hire costs go up.
Megan Wilding’s hit rom-com revenge thriller heads up Belvoir’s 2027 Season
Game. Set. Match. sets sights on Sydney as Belvoir refuses to play it safe with a bold 2027 season.
Melbourne Fringe is fighting to fill the gaps in a shrinking sector
As festivals fold and tensions rise, Melbourne Fringe weighs what artists need in 2026 and the role it must play…
On the move: latest arts sector appointments
This week, arts leader Katrina Sedgwick OAM steps into a new position, and a curator is appointed for the next…
Celebrating 70 years of The Jim Henson Company at QAGOMA: ‘I think puppetry is the last magic trick’
A world exclusive exhibition is about to open in Brisbane with puppets, props and even a full-size set from The…
Day (After Day) in the Life of the Useless is a play for our times
A fascinating thought experiment about the struggle to connect, the new play Day (After Day) in the Life of the…