The soft-glove politics of Indigenous festival programming

How important is Indigenous programming within festival culture, and has it moved beyond mere box-tick politics.
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Vernon Ah Kee’s portrait of Lex Wotton (2013) in NAS exhibition “Not an animal or plant”, as part of Sydney Festival; Courtesy the artist

This year the 41 year-old Sydney Festival has its first ever Indigenous Artistic Director at its helm. It has been a long time coming but the timing offers a curious alignment, coinciding with the 50th anniversay of the 1967 Australian Referendum that recognised Aboriginal Australians in our census, and empowered the Federal Parliament to legislate specifically for the benefit of Indigenous people.

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Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina