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A young woman peers through the gap of a clapperboard.
Opinions & Analysis

The undercutting of industry standards: how low pay is eroding fair wages in the arts

The misuse of sector jobs sites by companies with the resources to pay fairly needs to end.

a clapperboard is centre of frame, behind are two people at a cafe table next to a window. One has only their hand seen, the other is of indeterminate gender and race. conscious casting.
Opinions & Analysis

Why Australia needs to embrace ‘conscious casting’

With DEI facing a backlash in certain parts of the world, perhaps it's a good time to go even further…

The head and shoulders of a white robot with black eyes seen from above. It's looking up at the camera. AI
Opinions & Analysis

A win for creative industries against AI?

Creative cultures may yet suffer when the royalties start flowing.

a phone screen with a number of social media symbols showing up
Opinions & Analysis

What can arts organisations do if their audiences abandon Facebook and Instagram?

With the foundations of established social media platforms becoming unstable, what can arts marketers do to keep reaching their audiences?

An old brick wall showing signs of old paint has a battered sign on it that says Accessible Entrance.
Opinions & Analysis

Talking about access should be part of every day...

... and improving access just as often.

A robot child sits on a bench looking at a screen on its lap. AI
Opinions & Analysis

AI erasure – how AI could reshape our understanding of history and identity

Much has been said and written about how AI may shape our future, but how much thought has been given…

Best art. Claire Lambe, ‘Witnessing Bacon’, installation view at Sarah Scout Presents. A large tapestry based on a photo of Bacon’s messy studio, hanging against a violet wall with a saddle shaped seat in front.
Opinions & Analysis

The best art I saw in 2024 across 11 cities and over 200 exhibitions

A note of appreciation to all the artists and artworks that left a mark on my year.

A graffitied mini van, has green paint on it and slogans extolling the virtues of the arts on the windows.
Opinions & Analysis

Opportunity costs: the problem with rationalising creative output – part three

In the final part of a three-part article, Rick Heath examines why the Australian arts industry is not valued or…

A large group of First Nations people, young and old, stand on a stage beneath spotlights and behind some music stands. At the front is a young woman with her arms out wearing multicoloured tops and shorts.
Opinions & Analysis

Opportunity costs: the problem with rationalising creative output – part two

In part two of a three-part article, Rick Heath examines why the Australian arts industry is not valued or invested…

Opinions & Analysis

Opportunity costs: the problem with rationalising creative output –part one

In part one of a three-part article, Rick Heath examines why the Australian arts industry is not valued or invested…

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