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A large cast on stage in period costume.
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Musical review: Les Misérables, The Arena Spectacular, ICC Sydney Theatre

Big stars and even bigger production values distinguish this arena production of 'Les Misérables'. 

A couple in white embrace beside a bed with heavy drapes.
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Ballet review: Manon, Joan Sutherland Theatre, Sydney Opera House

A technically and emotionally challenging ballet that, despite its traditional staging, still asks relevant questions today.

The cast of "Annie" standing against a bright, blazing backdrop.
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Musical review: Annie, Capitol Theatre

A well-orchestrated cohesive production.

Full cast of 'The Producers.' A crowd is assembled around two men.
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Musical review: The Producers, Hayes Theatre

Dated in parts, but otherwise this decades-old production is still funny and entertaining.

In yellow light, a silhouette of two dancers crouching, with their arms over their heads.
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Dance reviews: That's Two Thank You, Riverside Theatres

The art of the duet is showcased in this dance festival.

Two performers in black dancing.
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Dance review: Somos, Arts Centre Melbourne

Rafael Bonachela’s passionate and 'most Spanish' work triumphs in a perfect, intimate setting.

The Australian Ballet's 'Carmen', 2025, choreographed by Johan Inger, featuring Jill Ogai in the role of Carmen. A dark-haired woman in a red, ruffled dress, her legs bare, gestures dramatically and powerfully towards the camer. Three man are faintly visible in the gloom behind her. All four people are ballet dancers performing in the ballet 'Carmen'.
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Ballet review: Carmen, Regent Theatre

A fresh interpretation of a centuries old story that sizzles and provokes on stage.

A man wearing sparkly top and pants is mid pose. His face is hidden by his hand touching his hat.
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Musical review: MJ The Musical, Sydney Lyric Theatre

‘MJ the Musical’ is a dazzling production. But be warned: you may come away from it feeling uncomfortable, sad and…

A dance performance at where dancers wear an exoskeleton of prosthetic limbs. The stage is illuminated in white light and five of the dancers are conjoined, facing a single dancer with their back to the camera. U>N>I>T>E>D
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Dance review: U>N>I>T>E>D, Asia TOPA 2025

A futuristic epic that turned philosophical.

Sebastian Geilings in Australian Dance Theatre's 'A Quiet Language', Adelaide Festival 2025.
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Dance review: A Quiet Language, Australian Dance Theatre, Adelaide Festival 2025

A complex, compelling production, by turns anguished and joyous, angry and elegiac, honouring six decades of radical dance history.

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