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How the independent sector rallied after The Butterfly Club’s shock closure
Indie companies and venues discuss the implications of The Butterfly Club’s closure, and sound a warning for the future of…
We're All Gonna Die! – Maddie Nixon's climate show 'smashes Brisbane's buildings'
We’re All Gonna Die! embraces a monstrous metaphor, with the help of Dead Puppet Society and La Boite.
Grief is the Thing with Feathers review: Belvoir St Theatre struggles
Belvoir St Theatre's adaptation of Grief is the Thing with Feathers has the potential to reach excellence, but ...
Sydney Fringe Festival: bigger and bolder than ever in 2025
This year's Sydney Fringe Festival is embracing more local and international talent than ever and a decentralised model of place.
Yong review: new play takes us from China to the goldfields of Australia
Jenevieve Chang's Yong mixes fact and fiction to explore a boy's journey to the Ballarat Goldrush of 1857.
Kimberly Akimbo review: a Broadway musical hit now making its Australian premiere
The Australian premiere of a Tony Award-winning musical, first staged in Adelaide and now in Melbourne.
Trophy Boys review: boys will be boys on tour
Runaway hit play Trophy Boys returns to excoriate a world of privilege and male collusion.
Othello review: a modern, accessible approach to a great Shakespearean tragedy
The new production of Othello at Sydney’s Flight Path Theatre is fresh, original and expertly staged.
The Audition review: a new musical gets a promising start in Tasmania
There were only four performances of The Audition in Hobart, but this musical was a hit.
Gospel According to Paul review: Biggins does Keating at State Theatre Centre of WA
Jonathan Biggins’ The Gospel According to Paul is a masterclass in biographical theatre.
