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Observer, Observed review: public art about public surveillance for Sydney Festival
Julia Phillips’ art installation on Pyrmont Bridge encourages us to reflect on our willingness to participate in the surveillance state.
Olafur Eliasson's Presence review: art that physically reboots us
Always wanted to touch a rainbow? Or to see a cloud being born? Olafur Eliasson’s Brisbane exhibition Presence gives you…
Data Dreams: Art and AI review: exploring artist-AI collaborations
Sydney’s MCA leads a timely institutional conversation with a major summer exhibition that replaces fear of AI with a human…
Mike Hewson’s The Key’s Under the Mat review: arty playground is joyous and chaotic
Mike Hewson shatters taboos and transforms the Art Gallery of NSW’s Tank space into a light-filled, living playground.
Helen Britton review: a jeweller who is so much more
Internationally celebrated artist Helen Britton totally short circuits how we think about jewellery with wonder.
Ritual Eternal review: group show exhibition at Project8 Gallery
Melbourne gallery unveils its latest high quality visual essay: Ritual Eternal.
Yolŋu power review: the Art Gallery of NSW's landmark look at Yirrkala innovation
Eight decades of Yolŋu art and culture take viewers through an art movement that has garnered world acclaim.
Desire Is a Machine review: an exploration of desire and mental health at Brisbane's Institute of Modern Art
An exhibition that surveys the nexus between desire and mental health.
Tom Polo review: in a part of your mind, i am you, Ngununggula Gallery
Tom Polo’s first major institutional solo exhibition is a cracker.
Installation review: Night Visions, Illuminate Adelaide, Adelaide Botanic Garden
Illuminate Adelaide returns to brighten the cold winter evenings with a series of free and ticketed events held after dark.…
