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Three actors in orange hi-vis clothes with a huge oval backdrop showing clouds, stand behind a mass of complicated poles.
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Theatre review: Multiple Bad Things, Merlyn Theatre, Malthouse

Back to Back's latest production presents another layered look at the intersectional experience of people with a disability.

Ghosts. A young woman in a white dress stands on stage in a dark and gloomy house set with a blue/purple light behind where through the window. There is a lonely chair and piles of books near her.
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Theatre review: Ghosts, Theatre Works

A new iteration of Ibsen's work retains the core, but moves the action from Norway to the Australian outback.

RISING: A group of three First Peoples and a Caucasian man performing in a rock band with an arch of stage lights behind them. Two are playing guitars, the lead singer is standing on a packing case and one is waving drum sticks.
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Performance reviews: RISING: Festival, first weekend

RISING: Festival is now off and running. Here is ArtsHub's round-up of the performing arts offerings on the first weekend.

Devonté Hynes. An African American man with a black short beard, brown cap and brown jumper sits at a grand piano playing intently.
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Music review: Devonté Hynes, Sydney Opera House

Complementing his earlier work as Blood Orange, this classical music concert showed the multi-talented musician's impressive range.

Ink by New Theatre. Six people are lined up on a dark stage holding identical copies of The Sun newspaper in front of themselves, obscuring their faces.
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Theatre review: Ink, New Theatre

New Theatre makes a good fist of James Graham’s play about Rupert Murdoch’s first forays into Fleet Street. 

‘Club Vegas: The Spectacle’. Photo: Supplied. A group of six performers on stage in extravagant purple body suit and feather on top of their heads on the stage with spotlights on them.
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Performance review: Club Vegas: The Spectacle, Athenaeum

All the ritz and glitz of Vegas in this variety show.

A dramatically lit photograph of the cast members from the 2024 Australian production of 'Sunset Boulevard', shown in the decaying Hollywood mansion of faded star Norma Desmond.
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Musical review: Sunset Boulevard, Princess Theatre

A woefully miscast Sarah Brightman derails this production of Andrew Lloyd Webber’s musical, which also features some baffling directorial choices.

Ride the Cyclone. On a dark stage a group of young school uniform clad people group around a young man who has a green halo around him. Surrounding all of them is a circular ladder like piece of design.
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Musical review: Ride the Cyclone, Hayes Theatre

A Canadian hit musical makes its Australian debut.

the Odd Couple. On a stage set of a New York apartment in the 1960s four white actors stand centre stage. On the left is a man in a brown jacket side on, addressing the others. Next to him is a fastidious man in a blue suit and red tie, holding something covered in a tea towel. Next is a blonde woman with a yellow, pink and white sleeveless dress and finally a woman with short dark hair and a yellow and green sleeveless dress. She is also facing in to the others.
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Theatre review: The Odd Couple, Comedy Theatre

Decades later, Neil Simon's play still feels sharp and relatable.

Candide. Four singers lined up. In the middle are a man in blue shirt and shorts with red braces and a woman in a green strappy 1950s type house dress with a little apron. On either side are two women - one all in orange, including her glasses frames and a wig, and the other the same but in yellow.
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Opera review: Candide, Her Majesty's Theatre

A joyous musical confection and a colourful celebration of self-discovery.

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