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'You're a Good Man, Charlie Brown' at Geelong Arts Centre. Photo: Michael Mason. Six performers dressed in colourful attire on stage with the background of a cartoonish park. They are posing in a group with happy and cheeky expressions.
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Theatre review: You're a Good Man, Charlie Brown, Geelong Arts Centre

A vibrant production of the Charlie Brown franchise offers outstanding performances, but some outdated tropes.

Orpheus & Eurydice. Minimal white stage set featuring a cage, with acrobats and opera singers.
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Opera review: Orpheus & Eurydice, Sydney Festival

Far from detracting from the enjoyment, acrobats add to the complexities of this classic opera.

Il Tabarro. Four opera singers dressed in period nautical gear sing from the prow of a ship.
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Opera review: Il Tabarro, Sydney Festival

Ambitiously staged aboard a lightship, this production struggled to stay afloat.

Grease. A group of musical theatre performers dressed in 50s clothes sit and stand on the stage facing forward.
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Musical review: Grease: The Musical, Her Majesty's Theatre

It's colourful and energetic certainly, but this production does not do anything to update the original flavour.

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Musical Theatre review: The Choir of Man, Arts Centre Melbourne

Singing and dancing in a pub setting brings frothy joy to all.

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Theatre review: Circus 1903, Sydney Opera House

Puppetry meets circus arts in a show that's fun for the whole family.

'The Final Line'. Photo: Courtesy the Great Indian Theatre Company.
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Theatre review: The Final Line, Nexus Theatre

The Great Indian Theatre Company’s debut work is by turns epic, grand and farcical.

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Performance review: TRIPTICO, ARA Darling Quarter Theatre, NSW 

A dance theatre celebration of the life and works of Australian artists Elena Kats Chernin and Wendy Sharpe.

projected imagery around a venue recreating a circus like environment.
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Immersive performance review: Dream Circus, Luna Park

Luna Park's immersive experience is a great idea, but a $15 million dud for Sydney.

'Is That You, Ruthie?'. Two First Nations women are on stage in a dormitory, one sitting on the floor, one crouching underneath a metal framed bed. They are wearing grey tunics and playing with small wooden figurines.
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Theatre review: Is That You, Ruthie?, Cremorne Theatre

A theatrical journey that resonates as a testament to the strength of truth-telling. 

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