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Elderly man is sitting on a step ladder in a black suit with his eyes closed. He is dipping a paint brush into a tub held by another person and on the wall is a large splash of red paint.
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Performance reviews: Marina Abramović Institute: Takeover, Adelaide Festival

A suite of duration works from different artists in different spaces.

Two of Them. Two men in business suits on a stage. One is in the centre with his arms outstretched to the side, the other sitting behind on a stool with his arm in a sling. There are two abstract projections of spheres on the back wall.
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Theatre review: Two of Them, Adelaide Fringe

An absurd mix of text, movement and animation.

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Opera review: The Nightingale and Other Fables, Adelaide Festival Centre, Adelaide Festival

A stunningly inventive operatic reimagining makes its Australian debut in Adelaide. 

Lehmann Trilogy. Image is a man in a red tinted corporate office, with a grid of square fluorescent lights overhead. He is standing on a boardroom table with his arms outstretched to the side. Around him are file boxes and one is being carried out by an office worker.
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Theatre review: The Lehman Trilogy, Theatre Royal, Sydney

An epic journey through the life of the company at the epicentre of the 2008 Global Financial Crisis.

The Hate Race. A woman in blue is standing on a stage marked with yellow and brown wavy patterns. She next to a bicycle and there is a large half circle light shape on the back wall.
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Theatre review: The Hate Race, Malthouse Theatre

Maxine Beneba Clarke's memoir receives a poignant and powerful adaptation.

Sherlock Holmes. Image is a grey-haired middle aged man in a gold brocade smoking jacket.
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Performance review: Sherlock Holmes: The Last Act, Adelaide Fringe Festival

A one-man performance channelling arguably the world's most famous detective.

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Theatre review: The Lewis Trilogy, Griffin Theatre

A trilogy of plays by Louis Nowra is a mixed bag of treats.

Future Cargo. Two figures in silver bodysuits moving across a panel.
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Performance review: Future Cargo, Adelaide Fringe Festival

Alien arrivals distinguish a mesmerising dance performance.

Are we not drawn onward to a new erA. The image is of a single person wearing a nose/mouth mask on a stage holding up a smoking flare, surrounded by smoke with bits of detritus - fabric - at their feet.
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Performance review: Are we not drawn onward to new erA, State Theatre of WA, Perth Festival

Does 'Are we not drawn onward to new erA’ show us how things are’?

A man is seated at a table. A woman is standing above him. They are both in 1930s period costume.
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Theatre review: Gaslight, Playhouse Theatre, QPAC

A revitalised production of Patrick Hamilton's play blends contemporary norms alongside classic thriller tropes with mixed results.    

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