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Facebook vs Face to Face: Analogue bodies in a digital world
From robots and long-distance rehearsals, to new models of collaboration and company structures, technology will change all our lives.
Tasmanian ecology shifts as festivals move out of Hobart
Will the relocation of Ten Days on the Island and Mona Foma away from Hobart help heal Tasmania’s long-standing north-south…
The entrepreneurial value of wild ideas
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work…
Sydney's Cloud Arch critics and our mean-spirited approach to public art
Australians displays a consistently miserly approach to public art, with typically miniscule budgets requiring artists to respond with agility to…
Ladies and gentlemen of the audience: what is your verdict?
Audience members get to vote in courtroom dramas which pit our need for entertainment against a range of contemporary legal…
Why the arts sector loves long lead announcements
Revealing the centrepiece of your program months in advance has become a common tactic, but what value do such announcements…
Fringe themes reveal artists’ deepest concerns
Open access festivals like Sydney Fringe and Melbourne Fringe provide a snapshot of the current cultural zeitgeist.
How to create an Australasian city
Arts organisations committed to long-term cultural engagement with the Asia-Pacific have transformed Brisbane; Bjelke-Petersen would barely recognise his old fiefdom.
Exchange, don't appropriate
Is cultural appropriation a racist act or just run-away political correctness? And how can the arts ensure a more sensitive…
When smaller is better
The impact of an arts festival is easily diffused in a major population centre. If you want your festival to…
