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What the pandemic has taught us about disability and what we still have to learn
If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust…
Chinese-speaking students a largely untapped arts audience, says new report
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…
Facebook ban to lift but can we trust them again?
The Facebook news ban is being lifted but what did the shutdown mean for small arts organisations and publishers who…
Why art-making is so valuable for children
From improving motor skills to developing a sense of self, art-making for children is an important part of development writes…
Are local artists enough to save our festivals without international headliners?
Can 'hyperlocal' arts programming save Australia’s previously thriving festival scene? Or are audiences still looking for the big names from…
It’s time for a new museum dedicated to the fighters of the Frontier Wars
Australia's most important war was fought for 140 years between Aboriginal peoples and the colonists who wanted their land. It's…
On Art, Activism and Empathy: George Gittoes and Luke Cornish
Having both worked in zones of conflict, Gittoes and Cornish speak with ArtsHub about their use of art as a…
The future for exhibition openings in a digital post-COVID world
As galleries moved online in the pandemic some found tools that would bring them to new audiences while others missed…
The art of the impossible: International collaboration during COVID
Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged…
ARIs and the challenge of online existence during COVID
COVID caused cultural bodies around the world to turn digital, but for smaller orgs like ARIs, the change to online…
