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7 steps to building the perfect arts board
A strong Board can be essential to a flourishing arts organisation. But what does that look like and how can…
First Nations Languages onstage: a new era
As part of NAIDOC week 2021, ArtsHub spoke with three prominent First Nations performing arts leaders who discussed the surging…
Preparing for a National Arts, Culture and Creativity Plan: Webinar 2
Kate Fielding, CEO of A New Approach, discusses some of the current thinking around the development of a new national…
Principles or pragmatism: does it matter where arts sponsorship comes from?
From Perth to London, the question of arts organisations taking money from the fossil fuel industry is being hotly debated,…
What does ‘international’ mean post pandemic for exhibition programming
As Nina Miall takes up the role of Curator of International Art at QAGOMA, we talk to her about rethinking…
From Mona to Craft Vic: Nicole Durling on connectivity, craft and compassion
Appointed to lead Craft Victoria into its next chapter, ArtsHub speaks with Nicole Durling about career trajectories, and what is…
Haunting history play to premiere at new First Nations festival
There’s a special feeling on Boorloo boodja (Perth country) in the lead up to Black Swan State Theatre Company’s inaugural…
Creating better mental health in the performing arts
How do mental health professionals change their approach when working with artists? In a recent panel discussion, psychologists looked at…
That sinking feeling
One month after Melbourne's RISING was forced to close after only a single night of performances, Tim Byrne reflects on…
Sally Rees' exhibition on cronehood, women and success
As Rees’ crone is born across her exhibition at Mona, a sense of the inevitability of aging is developed with…
