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Are the arts ‘good for us’?

The argument for public arts funding is based on the assumption that everyone benefits from the arts. But the greatest…

Features

Art to trigger your senses

Co-artistic directors Penelope Benton and Alexandra Clapham have focused on themes of creative collaboration and unique art experiences for Art…

Q&A

Nicola Smith

Nicola Smith paints mainly in oil focusing on repetition and the process of making.

Q&A

Adam Rish, artist

Rish’s business card states “Adam Rish – Misanthropist: For Disappointments phone ….”

Q&A

Warren Pickering, sculptor

Warren Pickering's artistic background began by pencil drawing as a child and studying building design and technical drawing studies in…

Q&A

Mitchel Cumming

Mitchel Cumming is a contemporary Australian artist and founder/director of the Association for the Facilitation of Access to Art for…

Features

Should you work front of house?

Ushering is an old standby for out-of-work performers and aspiring arts workers. But it is not all free shows and…

Features

Egyptian artists' struggle is reflected in work

The tense situation in Egypt is becoming a more and more common theme in the recent art of the country.

Features

The pragmatic artist

Results from the National Arts Survey show artists are focused on getting noticed, building audiences and making a living.

Features

Surviving and thriving in the creative economy

The creative and cultural economy continues to grow but not evenly. Two tips: Start thinking of creative services and go…

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