Melbourne Art Fair 2025 to feature 60 galleries, plus Dawn Ng and Yona Lee commissions

Newcomers and initiatives revealed for Melbourne Art Fair 2025 show expanded reach and a focus on strengthening relationships.
Galleries participating in Melbourne Art Fair 2025. Michael Cook (Jan Murphy Gallery), ‘Fake (Broken Down)’, 2023. A photographic work that appears to capture a scene where a car has broken down on the side of the road and two First Nations figures are standing beside a pale-skinned little girl with their luggage.

Melbourne Art Fair, now running annually, has announced its 2025 gallery list featuring 60 Australasia galleries and First Nations art centres, alongside two international commissions. This is the first fair under the helm of new Fair Director Melissa Loughnan, who comes from a background in art consultancy and returned to Australia to take up the role in August this year.

Matching the refreshed annual model is a wave of young newcomers (galleries established after 2017) to the 2025 fair, including Animal House Fine Arts, C. Gallery, Jennings Kerr and Redbase.

Arc One, Australian Galleries, BAProjects, Egg & Dart, Hugo Michell and Sabbia Gallery will also be participating in 2025, following an absence in this year’s edition.

Meanwhile, some notable names seem to have dropped out of Melbourne Art Fair’s circuit, including Anna Schwartz Gallery, Darren Knight Gallery, This Is No Fantasy and Vermilion Art. Additional gallery inclusions are yet to be confirmed.

The William Mora Indigenous Art Centre program will once again support Moa Arts, Munupi Arts & Crafts Association, Papunya Tjupi Arts and Wik & Kugu Arts Centre to attend the 2025 fair.

In 2025, Melbourne Art Fair (running 20-23 February) will also offer visitors a glimpse into the Victorian First Peoples Art and Design Fair, set to launch in 2027, with a showcase exhibition. It’s a collaborative effort between the Melbourne Art Fair Foundation and Creative Victoria’s First Peoples Directions Circle to highlight the work of 20 unrepresented Victorian First Peoples artists, along with Kaiela Arts, Baluk Arts, Perridak Arts and The Torch.

In 2027 the full-scale Victorian First Peoples Art and Design Fair will coincide with Melbourne Art Fair.

Read: Postcard from Seoul 2024

Two new commissions with institutional partnerships

The Melbourne Art Foundation 2025 commission program will present new works from Singaporean artist Dawn Ng, represented by Sullivan+Strumpf and in partnership with Queensland Art Gallery | Gallery of Modern Art (QAGOMA); and South Korea-born Auckland-based Yona Lee, represented by Fine Arts, Sydney, in partnership with the Govett-Brewster Art Gallery | Len Lye Centre, Aotearoa New Zealand.

Ng’s moving image work will continue her exploration into the trajectory of time via a cascade of colour, while Lee will develop a large-scale installation that investigates the digital age through found objects. The two pieces will enter the permanent collections of the partnering institutions after the duration of 2025 Melbourne Art Fair.

Four programming pillars for 2025 Melbourne Art Fair

The broader 2025 Artistic Program of the Melbourne Art Fair features four platforms – Video, Beyond, Conversations and Project Rooms.

Rachel Ciesla, Senior Curator for the Art Gallery of Western Australia’s Simon Lee Foundation Institute of Contemporary Asian Art, was announced as the curator of Video this month.

Taking charge of Beyond, which will present three large-scale installations and spatial interventions, is Anna Briers, Curator Len Lye and Contemporary Art, Govett-Brewster Art Gallery. While Project Rooms, presented by Alpha60, will host independent art organisations West Space and Adelaide Contemporary Experimental.

L-R: Rachel Ciesla. Photo: Tülay Dinçel. Anna Briers. Photo: Supplied.

Melbourne Art Fair’s 2025 talks program, Conversations, will be presented by The Guardian, with speakers to be announced.

The full 2025 Melbourne Art Fair program and exhibiting artists will be announced in January.

Celina Lei is the Diversity and Inclusion Editor at ArtsHub. She acquired her M.A in Art, Law and Business in New York with a B.A. in Art History and Philosophy from the University of Melbourne. She has previously worked across global art hubs in Beijing, Hong Kong and New York in both the commercial art sector and art criticism. She took part in drafting NAVA’s revised Code of Practice - Art Fairs and was the project manager of ArtsHub’s diverse writers initiative, Amplify Collective. Most recently, Celina was one of three Australian participants in DFAT’s the Future of Leadership program. Celina is based in Naarm/Melbourne. Instagram @lleizy_