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Career Advice

What I do as a sensitivity reader

Whether I’m a sensitivity reader, a dramaturge, or a plain old editor, I’m looking at how your text might be…

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We Live Here, Brisbane Festival (QLD)

How does circus take on death and memory? In collaboration with a hospice for young people, Flipside Circus attempts to…

News

On the Move: A reshuffle for Create NSW, new Board for Perth Festival

New Board members for Perth Festival and MCA, a shake up at Create NSW, AIDC appoints new advisory committee and…

Features

How big data targets new audiences

Data – what it is, and how to use it – was the buzzword du jour at this year’s PAC…

News

ICYMI: The week's top news in the arts

From exhibitions about BFF, contractors announced for Sydney Modern and Australian Museum, Feminist Writers Festival, and this week's opportunities.

News

How to Hold Space for your Actors

Originally trained as an actor, film director Kim Farrant shares deep wisdom about getting the best from performers.

Career Advice

Worrying about writing as a person of colour

Playwright Jean Tong on her fears that ‘diversity’ is ghettoising the artistic work of people of colour.

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Review: Forgotten Places, Kingston Arts Centre (VIC)

A blend of performance and visual art that seeks to inspire a sense of wonder at the universe.

Features

The burden of responsibility as an activist

Nothing comes easy, especially with disabilities art. Three international leaders talk about the burdens and wins of activism, visibility, failure…

News

Applause: Latest awards and celebrations

Sisters in Crime Davitt winners; Copyright Agency grants; Sunshine Coast Arts Prize; Kennedy Prize announced; and more.

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