Biennale boycott backlash: vicious ingratitude or valid critique?

(Premium content) Premium content

Does money have a taint? That’s the question many in the arts community are asking as the Biennale splits with Transfield.

Eglé Budvytytė, Choreography for the Running Male, 2012, performance, 30 mins. Courtesy the artist. Photograph: Ieva Budzeikaite. Commissioned by Contemporary Art Centre, Vilnius and part of this year's Biennale of Sydney.

Ben Eltham

This content is only available to members of ArtsHub

Join Now for instant access!

A subscription to ArtsHub will enable you to:
  • Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly
  • Keep up to date with the latest industry news
  • Access thousands of members-only features, articles and guides
  • Be in the know with upcoming events and exhibitions added daily
  • Learn how and where to get grants, with the most extensive grant finder

... and much, much more.

Join Now and join the Australian arts community today