Salary Survey reveals hard facts of our fragile sector Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Artist as activist: a force for social change Artists and activists Mama Alto, Steve Lambert and Jax Jacki Brown discuss 'strategic dramaturgy' and making work with the potential to change the world. Arts publishing on the rise, thanks to industry chutzpah (locked) With a slew of new artist monographs released over the past month, ArtsHub questions the recent focus on visual arts publishing and shift in trends. The politics of art in New York: an Australian perspective What do the politics of the Australian and the New York independent arts scene have in common? Surprisingly, quite a lot. Creative ageing is an urgent and fashionable topic, yet currently unsustainable (locked) Creative ageing is a two-fold problem: the crisis of our artists ageing into poverty, and the lack of sustainability in training and programs as a broader public ages creatively. (Premium content) Premium content Kieran Swann Friday 27 October, 2017 The latest edition of Theatre Network Australia’s biennial salary survey shows complex differences in our sector's artistic and administration labour forces. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Image via Shutterstock. Member login Email address Password Forgot password? About the author Kieran Swann is Program Producer for Theatre Network Australia, and a freelance artist, curator, and producer. He is a core member of The Good Room, a collective who use the anonymous experiences of ordinary people to create extraordinary theatre works; and one half of McCarthy-Swann Projects, a curatorial partnership with Amy-Clare McCarthy focusing on practices of feminist, queer, and culturally diverse artists. He has worked for Performance Space 122, Portland Institute for Contemporary Arts, Danspace Project, Venice International Performance Art Week, Metro Arts, and fortyfivedownstairs. His body of work has received national acclaim; ABC Radio has described his work as “nothing short of brilliant”, and RealTime has noted him a “fabulous liar in a mundane world”. Kieran has studied at Wesleyan University’s Institute for Curatorial Practice in Performance, Victorian College of the Arts, and Queensland University of Technology.