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Open access model has lead to SALA’s success

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 Gina Fairley

South Australia’s festival for the visual arts has grown exponentially through its democratic model of inclusion and celebration of living practitioners.

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Clare Belfrage (from left to right), Segment #15, 2006, Leaf Circuitry, 2008, Passage #41, 2007, Passage #44 ,2007, Skin Deep, Orange and Pink, 2017, In Sight, Green, 2016, Segment #22, 2006, Petal, 2008, Passage #45, 2008, blown glass with cane drawing, cold worked, dimensions variable; Gift of Joan Lyons, David and Pam McKee and Diana McLaurin through the Art Gallery of South Australia Foundation 2017, © Clare Belfrage. Photo: Saul Steed

About the author

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW.

Twitter: @ginafairley
Instagram: fairleygina

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