Lynne Lancaster

Lynne Lancaster is a Sydney based arts writer who has previously worked for Ticketek, Tickemaster and the Sydney Theatre Company. She has an MA in Theatre from UNSW, and when living in the UK completed the dance criticism course at Sadlers Wells, linked in with Chichester University.

Lynne's Latest Articles

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Review: Catch Me If You Can, Hayes Theatre (NSW)

With electric choreography and polished performances all around, this musical is one to catch.

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Review: Once, Darlinghurst Theatre (NSW)

Enda Walsh’s musical is a classic boy-meets-girl romance with terrific singing and great chemistry.

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Review: Sweeney Todd, Darling Harbour Theatre, ICC Sydney (NSW)

Strong performances can't quite conceal the fact that this production isn't entirely gripping.

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Review: Murder on the Wireless, Ensemble Theatre (NSW)

The double bill dovetails nicely in a delightful evocation of the heyday of the radio play.

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Review: Made to Measure, Seymour Centre (NSW)

Alana Valentine’s new play is a thought-provoking exploration of fatphobia with a snappy, moving script.

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Review: Small Mouth Sounds, Eternity Playhouse (NSW)

Australian premiere of this mostly silent play leaves audiences unsettled.

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Review: Here After, NIDA (NSW)

A meditative new work from Limitless Dance Company.

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Review: Pygmalion, New Theatre (NSW)

A thoughtful production that shows Shaw’s play is still relevant today, more than a century after its stage debut.

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Review: Frida Kahlo: Viva La Vida, Old 505 Theatre (NSW)

A startling, vibrant portrait of an artist and disabled feminist icon.

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Review: Ajax, Old 505 Theatre (NSW)

Bilingual English and Arabic adaptation of the Greek tragedy is a shattering look at the horror of war.

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