Gina Fairley

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina

Gina Fairley's Latest Articles

News

How will changes to Arts NSW funding structure affect you?

With promises of greater sustainability and less red tape, things are looking up under the Arts and Cultural Development Program.

Features

Photography Centre quits Queensland for LA

The Queensland Centre for Photography shuts its doors this week in the wake of funding cuts but it intends to…

News

Talent Hatched at PICA

Who are the top art school graduates across Australia for 2014?

Features

Conservation in the iPad age

Once conservators needed to know about paper and canvas, now they manage everything from bark paintings to magnetic tape.

News

World Premier by Brits Tacita Dean and Game of Thrones actor Stephen Dillane

Famed film-maker turns to live art performance for a unique one-act work commissioned by the Biennale of Sydney and Carriageworks.

News

Top school talent makes NGV cut

Victorian visual art students are exhibited among the best in the state's premium art institution.

News

Aboriginal artist takes on mining giant through paintings

McArthur River Mine has had devastating consequences on a community and its environment; Jacky Green brings us that other story.

News

Top end art fair is a go

With new dates and new governance in place, the Cairns Indigenous Art Fair has bounced back from doubts about its…

StarsStarsStarsStarsStars

TV Moore’s Rum Jungle

Moore's coloured walls jar in sync with discombobulated videos and psycho-portraits, but at what point do the theatrics overwhelm?

News

Negotiating the private / public domain

What do artists make when they are not working on major public commissions and how are the two linked?

1 284 285 286 287 288 317