Gina Fairley

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

Gina Fairley's Latest Articles

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Arts studio call-out for Western Sydney

Be part of a $400,000 Making Spaces Initiative in Western Sydney – it could be the studio collaboration you’re looking…

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Tosca: Opera Australia

Tosca was a box office success from the start, first performed in 1900 in Rome. This production promises that success…

News

10 artists who use water as their medium

Making a splash, these contemporary artists challenge the gallery’s white cube and create a conservator’s nightmare, but people love to…

Features

The secrets to keeping the doors open

Longevity can seem an elusive concept in the current arts funding climate, so we asked a few established organisations to…

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A regional prize with a national impact

In the pool of art prize competitions, location doesn’t have to be a disadvantage when swimming with the big fish.…

News

Apologies to roadkill

From a video lament, to a comic spin on The Last Supper, this exhibition rethinks the physical and psychological reaction…

Opinions & Analysis

Not crediting images is not good enough

Not crediting artists' images online is an ongoing problem, from the top down.

News

Picasso to bring big dollars to Australian non-profit

The sale of a rare collection of Picasso prints valued at $9.3 million will result in a generous gift to…

News

The name of the game

Is acknowledgement just a case of name-dropping, or is the honouring of benefactors more than a complex deal for dollars?

Features

Has “like” killed the curator?

When Facebook likes can make a show and the faint praise of 'interesting' can damn it, curators face a new…

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