Gina Fairley

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

Gina Fairley's Latest Articles

News

Inspire60: Tony Stephens

A background as a plumber put Artbank’s Director in good stead for running the country’s most democratic and sustainable collection…

News

Women are the winners

Women won the lion's share of art prizes in 2016, taking home 57% of the prize earnings.

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MCA celebrates 25 years

From naked tours to a birthday cake that’s a work of art, the Museum of Contemporary Art is showing it…

Opinions & Analysis

Come our end: closing the gap with Indigenous culture

Closing the Gap shouldn't mean bringing Aboriginal Australians to some white standard but bringing all Australians to an understanding of…

Features

Beyond the unicorn future

The idea of a single future is as mythical as a unicorn. We need to be ready for a complex…

News

Inspire60: Ken Unsworth

VIDEO: Self confessed footy lover, arts patron and one of Australia's most avant garde artists Ken Unsworth tells us what…

Features

Counter-urban movement city arts doesn't see

The absence of major performing arts companies at the key regional arts conference indicates a failure to see the vitality…

News

Artist bans Anish Kapoor from world’s hottest pink

Any artist in the world can buy the new pink - except the prominent British Indian sculptor Sir Anish Kapoor.

News

This message is brought to you in a language you may not understand

The national regional arts conference Artlands was launched yesterday with a power trifecta using the occasion to launch new programs…

Features

Boardroom collecting beyond gilt framed portraits

Just when we thought corporate collections were dead, a bank has created a new model for supporting emerging artists.

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