Gina Fairley

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

Gina Fairley's Latest Articles

Opinions & Analysis

Do we need The National?

Its agenda is laudable – to give more space to Australian artists at our majors – but does it fall…

News

Vale: a tribute to three important artists we have lost

The Australian art world farewelled three important artists recently – abstractionist Robert Rooney, painter Eric Smith and Indigenous legend, Hector…

Sponsored

Giving in to secret loves

Many people nurture a secret passion to create but hesitate to consummate the desire.

News

A phoenix rises and another bird spreads its wings

A new organisation comes out of the ashes of Adelaide’s two contemporary art spaces CACSA and AEAF while a Sydney…

StarsStarsStarsStarsStars

Handa Opera on Sydney Harbour - Carmen

Sassy sexy Carmen brightens up these damp Autumn nights, vocally spectacular and with dance numbers to rival a golden Hollywood.

Career Advice

Career Spotlight: Parliament House Collection Manager

Helping Parliamentarians select art work for their offices, and coping with over a million visitors a year, is all part…

Career Advice

Advice from artists who run businesses

Sustaining a creative practice while running a business is a tough juggle as an artist. We talk with those doing…

Opinions & Analysis

Art titans wield power over Venice Biennale selection

The number crunch on artists representing Australia at the Venice Biennale shows two prominent galleries greatly dominate selection.

News

First look at Tracey Moffatt’s Venice work

Ambiguously located images tell a story of Indigenous dispossession, landing a velvet punch on global audiences for the Venice Biennale.

Features

Corporate collections doing controversy

Corporate collections are traditionally the bastion of conservatism. Allens Linklaters flips the tables on the corporate brand with edgy commissions.

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