Gina Fairley

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW. Twitter: @ginafairley Instagram: fairleygina

Gina Fairley's Latest Articles

Career Advice

Tips for hanging your art

Hang your art like a professional by following these 10 easy tips.

Opinions & Analysis

We need a national day for the arts

Australia has public holidays for agricultural shows, football finals and a horse race. Why don't the arts have a public…

News

How millennials are changing the art market

A new report has found that the auction market is being usurped by millennials, with different spending and shopping habits.

Opinions & Analysis

Visual arts sidelined by festival culture

As "festivalisation" takes over our cities, one thing is increasingly left off the programing list – and that is the…

News

Inspire60: Abdul-Rahman Abdullah

VIDEO: Family and finding one’s identity are what inspires Perth artist Abdul-Rahman Abdullah.

News

Vale Leonard French

The Australian artist, who made the world’s largest stained glass ceiling, has died aged 88.

News

Australia loses a great arts patron

Philanthropist and former chairman of Australia’s media dynasty, Fairfax & Sons, James Fairfax leaves a great legacy for the arts.

News

Quilty on hate, art and the death penalty

An exhibition includes the last paintings made by Myuran Sukumaran before his execution in a message against the death penalty…

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Vernon Ah Kee: Not an animal or a plant

While this exhibition lands a political wallop, it also raises questions more broadly of critical engagement through contemporary art.

News

The soft-glove politics of Indigenous festival programming

How important is Indigenous programming within festival culture, and has it moved beyond mere box-tick politics.

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