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Tarzan – The Stage Musical review: one for the Melbourne swingers
Tarzan excels is in the calibre of its cast and the dynamic presentation of Phil Collins’ score.
All the Way to the River review: Elizabeth Gilbert gets personal again
All the Way to the River chronicles Gilbert's decades-long friendship and romance with Rayya Elias.
Louise Wallace – five questions for the Ash author
Ash author Louise Wallace discusses her debut novel, what she's learned as a writer, and the link between novels and…
O,D, E review: Sage J Harlow's experimental opera about Orpheus & Eurydice thrills
O,D,E, based on the Ancient Greek story of Orpheus and Eurydice, is a treat for the soul.
On the move: latest arts sector appointments
Your weekly round-up of Australian arts sector appointments.
The Object Lesson review: Thomas Demand's AGNSW exhibition absorbs
The Object Lesson at AGNSW places Demand in the role of a curator instead of highlighting his own works.
The Magic Flute review: a first-of-its-kind opera collaboration in Adelaide
State Opera South Australia’s The Magic Flute is opera for our times.
No Dancing in the Lift, Mandy Sayer review: a vivid memoir
Sayer's No Dancing in the Lift paints an intimate portrait of an unconventional childhood.
Best opportunities, grants and awards for creatives: 1-7 September 2025
Drawing prize open for entries, grants available for festival ideas that celebrate older people’s creativity and more opportunities.
Speaking in Tongues review: Bovell's script comes alive in Black Swan's hands
Speaking in Tongues by Black Swan somehow manages to be funny, serious, flippant and profound.