Salary Survey reveals hard facts of our fragile sector Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles How ArtChain will revolutionise the art market (Premium locked content) The art world is embracing blockchain technology but what is this global trend? And why is this Australian innovation leading the charge into Asia? Relying on Facebook is not a good idea (Premium locked content) AIDC panel unpacked social media algorithm changes as they disrupt indie media. Australia’s creative economy booming, research suggests (Premium locked content) New research based on the 2016 Census indicates that Australia's creative industries sector is growing at a fast rate. Is the art of feminism unfinished business? (Premium locked content) A big question deserves a big response. Following International Women’s Day, we look at the conversation of gender equality today. (Premium content) Premium content Kieran Swann Friday 27 October, 2017 The latest edition of Theatre Network Australia’s biennial salary survey shows complex differences in our sector's artistic and administration labour forces. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Arts industry ... and much, much more. Subscribe Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Kieran Swann is Program Producer for Theatre Network Australia, and a freelance artist, curator, and producer. He is a core member of The Good Room, a collective who use the anonymous experiences of ordinary people to create extraordinary theatre works; and one half of McCarthy-Swann Projects, a curatorial partnership with Amy-Clare McCarthy focusing on practices of feminist, queer, and culturally diverse artists. He has worked for Performance Space 122, Portland Institute for Contemporary Arts, Danspace Project, Venice International Performance Art Week, Metro Arts, and fortyfivedownstairs. His body of work has received national acclaim; ABC Radio has described his work as “nothing short of brilliant”, and RealTime has noted him a “fabulous liar in a mundane world”. Kieran has studied at Wesleyan University’s Institute for Curatorial Practice in Performance, Victorian College of the Arts, and Queensland University of Technology.