Salary Survey reveals hard facts of our fragile sector Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles How music and dance made convict life more bearable New research from Queensland University of Technology reveals the impact music and dance had on convict life – it wasn't all floggings and deprivation. Who’d leave a television career to join a library? (Premium locked content) They used to be quiet spaces; now they are the quiet achievers. We can all learn from libraries' successes in recalibrating for 21st century audiences. Incubating ideas needs more than a hip share office Tired of big budget, big tech talk when it comes to innovation? Then start with old fashioned talking: it's proving the best cut-through for future-proofing organisations. New podcast challenges cultural whitewashing The Culture Cycle is a new series that asks whether Australia’s arts and cultural sector looks like Australia. (Premium content) Premium content Kieran Swann Friday 27 October, 2017 The latest edition of Theatre Network Australia’s biennial salary survey shows complex differences in our sector's artistic and administration labour forces. This content is only available to members of ArtsHub Subscribe Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of subscriber-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder in the Arts industry ... and much, much more. Subscribe Now and join the Australian arts community today Member login Email address Password Forgot password? About the author Kieran Swann is Program Producer for Theatre Network Australia, and a freelance artist, curator, and producer. He is a core member of The Good Room, a collective who use the anonymous experiences of ordinary people to create extraordinary theatre works; and one half of McCarthy-Swann Projects, a curatorial partnership with Amy-Clare McCarthy focusing on practices of feminist, queer, and culturally diverse artists. He has worked for Performance Space 122, Portland Institute for Contemporary Arts, Danspace Project, Venice International Performance Art Week, Metro Arts, and fortyfivedownstairs. His body of work has received national acclaim; ABC Radio has described his work as “nothing short of brilliant”, and RealTime has noted him a “fabulous liar in a mundane world”. Kieran has studied at Wesleyan University’s Institute for Curatorial Practice in Performance, Victorian College of the Arts, and Queensland University of Technology.