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A glamorous woman in a pink silky gown sits in front of a mirror putting her earrings in. Aphrodite.
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Opera review: Aphrodite, Carriageworks

A collaboration between the Sydney Chamber Opera and Omega Ensemble that favours cerebral engagement over emotional impact.

Large stage scene of 'Samson & Delilah'. In the centre are figures wearing gold costumes. They are surrounded by cast in black.
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Opera review: Samson & Delilah, Palais Theatre

Engaging musical performance meets middling narrative delivery in this traditional interpretation of an ancient story.

A production on stage with a woman sitting inside a carriage shaped like the letter ‘C’. Opera Australian production.
News

Opera Australia operating at a $10 million deficit

Opera Australia's latest announcement of significant financial losses is the latest in a long string of problems for the company.

British countertenor James Laing as the Refugee in State Opera South Australia's 2025 production, 'Flight'. A distressed-looking man dressed in slightly dishevelled, mostly brown clothing, stands in an airport terminal between two rows of uncomfortable-looking metal and plastic seats. The blue-lit panelled wall behind him evokes the bars of a prison cell, while four curving beams of light projected against the walls increase the impression of this man being trapped or avoiding the spotlight.
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Opera review: Flight, Her Majesty’s Theatre

State Opera South Australia’s ‘Flight’ is opera for our times.

A two-storey structure, with separate rooms. There is a conductor at the front.
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Opera review: Innocence, Festival Theatre, Adelaide Festival

A complex and multilayered production about collective guilt and trauma that deployed different languages and singing styles.

Opera for the Dead performance shot, featuring two movable stages, each with a performing standing at its centre, slightly obscured by black stingy curtains. The image is dark other than the stage being slightly illuminated from below.
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Performance review: Opera for the Dead (祭歌), Asia TOPA 2025

A cyber-opera that deserves the world stage.

A crowd scene of 'Candide'. The dancing cast is dressed in period costume. There is a faded caravan behind them.
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Opera review: Candide, Joan Sutherland Theatre, Sydney Opera House

Bernstein’s crowd-pleasing comic operetta will have audiences laughing at the absurdity of extreme ideas.

Inside the Royal Exhibition Building.
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Opera review: Die Meistersinger von Nürnberg, Royal Exhibition Building

Melbourne Opera stays well within its comfort zone for Wagner’s epic comedy.  

Career Advice

So you want my arts job: Librettist

If you possess humility, audacity, originality and passion, becoming a librettist may suit you, says playwright, director, dramaturg and librettist…

An opera diva in a big blue dress has her arms up in the air and a small orchestra behind her. Opera For All. Dimity Shepherd.
News

Providing a pathway to the ultimate art form – Opera for All

The Opera for All concerts are being seen all over the globe. This week it was Melbourne's turn.

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