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English review: an insistently brilliant prize-winning play
Sanaz Toossi’s Pulitzer Prize-winning play takes to the Seymour Centre stage for its Sydney debut.
Drive Your Plow Over the Bones of the Dead review: a long slog with flashes of brilliance
Drive Your Plow Over the Bones of the Dead is a bloated beast of a play – but not without…
The Last Ship review: Sting performs his 'deeply personal' musical in Brisbane
Sting’s childhood-inspired musical The Last Ship is a beautifully crafted, well-realised story of defiance tempered with hope.
A Transgender Woman on the Internet, Crying review: dark, bold and playfully queer
Cassie Hamilton isn't afraid to take risks in A Transgender Woman on the Internet, Crying.
Theatre designers are being disrespected – and I should know
Design as a craft and a storytelling discipline seems to be quietly disappearing from Australian independent theatre.
Stage Kiss review: a 'wonderfully funny' and very meta farce at Sydney's New Theatre
With layered writing and strong performances, Stage Kiss is whip smart.
From set design to touring, how can we make theatre more environmentally sustainable?
The majority of Australian theatre-makers are concerned about climate change but most feel the issue receives limited attention in the…
West Gate review: a flawed but powerful play about the loss of 35 lives
The collapse of Melbourne's West Gate Bridge is dramatised in this new MTC production by playwright Dennis McIntosh and director…
Gatz review: it’s The Great Gatsby (Jim) but not as we know it
Gatz, the acclaimed adaptation of F Scott Fitzgerald’s The Great Gatsby, returned to Australia for the Adelaide Festival.
The Elocution of Benjamin Franklin review: landmark 1970s play revived for a new audience
Some 50 years on, The Elocution of Benjamin Franklin remains just as urgent as ever.
