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Sugar review: a frothy, fun and fearless Midsumma treat
This whirlwind production works Chappell Roan into Pretty Woman by way of Tomáš Kantor’s commanding queerness.
Hamlet Camp review: 'To be, or not to be' as an occupational hazard
Quick, funny, and uncomfortably human, Hamlet Camp drags you into a world where art won’t let go, and neither will…
Diva review: mighty goddesses unite in this glittering exhibition
The first exhibition at Melbourne's new Australian Museum of Performing Arts is a star-studded look at the diva through the…
Anne being Frank review: what if the Holocaust diarist had survived?
What could have been had Anne Frank published her memoir?
Othello review: a pared-back production by Melbourne Shakespeare Company
With its themes of domestic violence, Othello has continuing relevance.
Caesar review: This production in Townsville by TheatreiNQ is superlative
This iteration of Julius Caesar has an epic quality.
Orlando review: a dazzling journey traversing time, place and identity at Belvoir
Trans and non-binary actors take centre stage in this highly theatrical adaptation of Virginia Woolf’s gender-bending classic, 'Orlando: A Biography'.
The Last Princess of Lebanon review: looking back at one's heritage
The Last Princess of Lebanon explores a great-grandmother's journey from a Lebanese palace to rural Queensland.
Destiny review: an MTC production that explores South Africa under Apartheid
Destiny, by promising playwright Kirsty Marillier showcases life under South African Apartheid but misses opportunities to deliver an emotional, philosophical…
Ordinary Days review: a new New-York set musical at fortyfivedownstairs
Ordinary Days is an ode to chance encounters and the magic waiting to be found in metropolitan life
