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Drive Your Plow Over the Bones of the Dead review: a long slog with flashes of brilliance
Drive Your Plow Over the Bones of the Dead is a bloated beast of a play – but not without…
The Last Ship review: Sting performs his 'deeply personal' musical in Brisbane
Sting’s childhood-inspired musical The Last Ship is a beautifully crafted, well-realised story of defiance tempered with hope.
Maitreyi Karanth – Maitriarchy review: boldness and bravura in action
Maitreyi Karanth has been doing stand up for less than a decade but has the stamina and delivery of a…
Anisa Nandaula – No Small Talk review: TikTok star continues her rise at MICF
A Ugandan by way of Queensland, Anisa Nandaula is one to watch.
Lou Wall – Where Are All the Tall Grandmas? review: 'warm, mischief-tinged energy' at MICF
Lou Wall’s mission to find tall old ladies takes unexpected turns at the Melbourne International Comedy Festival.
Porcelain review: Peach PRC's debut LP is a candid take on young queer life
On her debut record Porcelain, Adelaide-born artist Peach PRC takes inspiration from nature and queer culture.
Magic Mic Comedy review: an unmissable regular night at Sydney’s iD Comedy Club
Sydney's Magic Mic Comedy night is a showcase of emerging talent.
The Evening Muse review: Hannah Gadsby plays a talk show host at MICF
Despite flashes of sharp insight, Hannah Gadsby's latest offering falls short of what it could be.
A Transgender Woman on the Internet, Crying review: dark, bold and playfully queer
Cassie Hamilton isn't afraid to take risks in A Transgender Woman on the Internet, Crying.
Messa da Requiem review: Queensland Ballet meets Verdi’s Requiem Mass
Verdi’s brilliant score is fused with movement and dance in Queensland Ballet’s Messa da Requiem – but it's not always…
