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Rusalka review: a near-perfect staging of Dvořák's most famous opera
Opera Australia’s new production of Rusalka is opera at its enchanting best.
OzAsia Festival 2025: what’s hot and what’s new
Opera comes back from the dead, The Female Pope, dance in public spaces, and the greatest debate on never moving…
Opera Queensland and Circa’s Orpheus & Eurydice set for European premiere at Edinburgh International Festival
The critically acclaimed production, created by Opera Queensland and Circa and presented by Edinburgh International Festival and Opera Australia, unites…
Opera Queensland and Circa’s Orpheus & Eurydice set for European premiere at Edinburgh International Festival
The critically acclaimed production, created by Opera Queensland and Circa and presented by Edinburgh International Festival and Opera Australia, unites…
Carmen review: a new look for a classic opera at Sydney Opera House
One of the most famous operas of the 19th century gets a 21st century makeover.
Opera review: Aphrodite, Carriageworks
A collaboration between the Sydney Chamber Opera and Omega Ensemble that favours cerebral engagement over emotional impact.
Opera review: Samson & Delilah, Palais Theatre
Engaging musical performance meets middling narrative delivery in this traditional interpretation of an ancient story.
Opera Australia operating at a $10 million deficit
Opera Australia's latest announcement of significant financial losses is the latest in a long string of problems for the company.
Opera review: Flight, Her Majesty’s Theatre
State Opera South Australia’s ‘Flight’ is opera for our times.
Opera review: Innocence, Festival Theatre, Adelaide Festival
A complex and multilayered production about collective guilt and trauma that deployed different languages and singing styles.
