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Young people need more than footy ovals – it’s time to invest in culture
What would happen if young people had the same access to live music as they do with sport, wonders Kate…
Dracula bites: West Australian Ballet performs to recorded music in Adelaide
In a controversial move, the West Australian Ballet stuck to its original decision to stage Dracula in Adelaide without a…
In the Quiet review: Adelaide Symphony Orchestra premieres a superb concerto
With the world premiere of a blistering concerto and the Australian debut of a powerhouse young conductor, In the Quiet…
Sanctuary Series review: relaxing to the Adelaide Symphony Orchestra on a yoga mat
Adelaide Symphony Orchestra's Nordic Lights was an immersive concert experience unlike any other.
Porcelain review: Peach PRC's debut LP is a candid take on young queer life
On her debut record Porcelain, Adelaide-born artist Peach PRC takes inspiration from nature and queer culture.
The Push unveils 10-year plan for young Australians and music
The Push's new national plan sets out a decade-long strategy to place Australian music on par with education, sport and…
Robyn – Sexistential review: horny, mature and strikingly candid pop music
Robyn said the purpose of her life is to stay horny. On Sexistential, she proves it.
The Devil’s Violin review: ACO brings style and flair to a lively program
In The Devil's Violin, the ACO musicians showcase their strengths on stunning Golden Age instruments.
RISING 2026 is dominated by dance and contemporary music
The inaugural Australian Dance Biennale and an expansive music program make up a considerable part of the 2026 RISING program.
Monteverdi's Vespers and Orfeo review: two 5-star baroque masterpieces at Adelaide Festival
Ensemble Pygmalion's performances of Monteverdi's Vespers and the opera Orfeo were baroque masterpieces for a neo-baroque age.
