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On the move: the latest appointments and resignations
An Associate moves from Queensland Theatre to STC, QSO appoints a Director of Artistic Planning, plus key appointments at the…
Applause: latest success stories
2018 Gallipoli Art Prize finalists revealed, Bangarra breaks records, MICF announces award shortlists and many more.
How an exercise in forced intimacy led to a creative collaboration
Two award-winning visual artists who developed a friendship during a class exercise exploring tantra, are presenting work together in an…
New survey suggests generational shift in indie sector's diversity
A new study of indie artists & arts workers shows those juggling professional practice with non-arts employment work an average…
How to handle criticism and naysayers
For any artist, the sting of criticism is inevitable. Here’s how to distinguish when it’s useful, how to handle it,…
Review: Dr Jason Leong – You Stupid or What?!
The engaging and amiable Leong's material ranges from cultural comparisons to wince-inducing medical humour.
Review: In the Heights at Hayes Theatre
In the Heights is dynamic and at times explosive. This production showcases a magnificent cast.
Exploring the role of the creative in a post truth world
We talk to four speakers presenting at this year’s Creative State Summit about the role creativity can play in the…
Review: Tom Gleeson Sure Thing
Like listening to a funny mate tell quality yarns with a wink, some heart and plenty of snark.
$1 million in copyright royalties released for visual artists
Australian visual artists may be entitled to a share of $1 million in royalty fees now available through the Copyright…
