Adelaide Festival announces first three shows for 2025

A Simon Stone-directed opera, a triple bill from Pina Bausch’s Tanztheater Wuppertal and ADT’s 60th anniversary production are the first acts announced for next year’s Festival.
A woman in a white dress flails in the arms of a man in a white shirt. Her arms are raised, her hair flying; we cannot see her face, although she is partially reflected in pane of glass behind her.

An opera exploring the unresolved tensions of a school shooting 10 years after the tragedy, directed by expat Australian Simon Stone; a triple bill from legendary choreographer Pina Bausch’s Tanztheater Wuppertal, including two pieces by the company’s current Artistic Director, Boris Charmatz; and the world premiere of Daniel Riley’s A Quiet Language, commemorating the 60th anniversary of Australian Dance Theatre (ADT), are the first three productions announced for the 2025 Adelaide Festival.

Finnish composer Kaija Saariaho’s contemporary opera Innocence, featuring a libretto by Finnish novelist Sofi Oksanen, had its world premiere at Aix-en-Provence Festival in 2021. The work has been praised as a ‘nuanced artistic achievement’, although the production – especially Saariaho’s score – has also been criticised for keeping the story’s ‘harrowing drama at arm’s length’ rather than allowing its impact to be fully felt.

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Richard Watts OAM is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM. Richard is a life member of the Melbourne Queer Film Festival, a Melbourne Fringe Festival Living Legend, and was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize in 2020. In 2021 he received a Lifetime Achievement Award from the Green Room Awards Association. Most recently, Richard received a Medal of the Order of Australia (OAM) in June 2024. Follow him on Twitter: @richardthewatts